Fringe: MacSchrek, The Comedy of Ogres

Posted on by Thor

The New Players Company of Oviedo Florida presents MacSchrek: The Comedy of Orgres. This  at this years Orlando International Fringe Festival. was a fun parody that mixes Shakespeare with the animated feature film Schrek. The combination is hilarious. If you are well versed in Shakespeare you will laugh at the comedic rewrites of his classic lines. If you have no clue who Shakespeare is you will laugh at the comedic timing and fast paced staging.

The stage was often crowded with players but I just felt the need to capture Schrek in his Shakespearian pantaloons. The actress playing Donkey was hilarious and the fair Gwendolyn was stunning even in green ogre horns. When drawing Pinocchio who was hiding behind a set piece, drew his nose sticking out after he told a lie. I thought it funny that the actor thought he was hidden like a manatee trying to hide behind a strand of sea grass.

I think everyone knows the story of how Schrek went on a quest to save his swamp land. Though self-serving, in the end it became an epic quest.  The actor who plays Farquaad the prince, played the roll bombastically and over the top which played well for comic relief. Somehow his narcissistic role seemed all the more suited for politics in America today.

Long story short, this is a really fun show to catch at the Fringe this year. It is a guaranteed good time.

Remaining show times…

MacSchreck: The Comedy of Ogres in the Yellow Venue. 60 minutes. Tickets are $15.

Monday May 18, 7:10pm

Tuesday May 19, 8:35pm

Saturday May 23, 12: 15pm

Sunday May 24, 3:45pm

Fringe: How to Play the Guitar (Poorly)

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The very first Orlando International Fringe Show I saw this year was with local Orlando legend Chase Padgett at the Renaissance Theater. The Renaissance has had a crazy year with the City of Orlando insisting it close while renovations were done to bring all aspects of the venue up to code. Over the course of renovations, the venue stayed afloat only through donations and a few shows staged at other venues. This was my first time returning to the venue and in my humble opinion the sound system is spectacular. The Phoenix has risen from the ashes of bureaucracy.

Chase was on stage as the audience filtered into the theater. He offered his own pre-show music as people settled in. The title of the play implies this might be an instructional show and it was, but it was not instructions on how to play Guitar, but rather on how to live while embracing your passions. In high school Chase had to choose between writing computer code or playing in the school band. The choice was obvious.

One Christmas Chases father, who loved Eric Clapton, bought Chase a guitar for Christmas. That guitar went abandoned and ignored while Chase played trumpet in the school band. Trumpet was his passion and he rose to first chair. It was only later in life that the guitar case was dusted off and the strings tuned. When Chase played, he could see how his father’s face would light up.

Chase took a course on how to build guitars, and he built the guitar he was using on stage by hand. He cut and sanded the wood, polished it and pieced it all together to be sure the acoustics were perfect. When his father learned this, he was in awe.

Separation, divorce, and substance abuse could have distanced Chase from his father, but he still sought to find ways to stay close. The approval of someone you love as an artist is something that some only dream about.

When Chase’s dad passed away there were tearful remembrances at the funeral and Chase decided to get up and play an Eric Clapton song on his guitar. As he played Tears in Heaven, my eyes welled up making it hard to sketch, so I stopped. The actress next to me was crying and I smiled as I fought back tears.

I am not sure why this show hit me so hard. Chase stressed that life as an artist was hard, but so rewarding. Had he decided to write computer code for a living he would have made so much more money. But life isn’t only about how much you earn. It is also about how much you can share.

After seeing several dozen Fringe shows so far, I can say without any hesitation that this show hit closest to home for me. You need to make your way several blocks over to the Renaissance and see this show.

Remaining Show times…

Chase Padgett: How to Play Guitar (Poorly), Peacock Farm Productions Orlando Florida United States. At the Renaissance Theater Company, 13 and up, 60 minutes. $15  and a Fringe button. Adult language.

Sunday May 17, 4:30pm

Tuesday May 19, 8:00pm

Thursday May 21, 7:00pm

Saturday May 23, 3:00PM

Sunday May 24, 6:00pm

Welcome to Matteson: First Pass

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Welcome to Matteson by Inda Craig-Gavlán, featured two couples having dinner. One couple needed to look high healed and the other needed to look lower middle class. This was a challenge which would rely on clothing to set them apart. In this first pass at painting the poster I relied on warm colors for the wealthy couple and yellows for the less wealthy couple. Having everyone toasting seemed to be the most natural gesture to get them all to interact.

Matteston is a suburb of Chicago Illinois. The less wealthy couple had just moved to Matteson from the Cabrini-Green public housing projects in Chicago. Cabrini-Green had a reputation for being overrun with gangs and crime. Cabrini Green was being torn down and residents were relocated. This couple was relocated to Matteson. They were excited to move to this quiet suburb, but they missed the sense of community they had found in Cabrini.

The buildings I put in the sketch were from a typical Chicago neighborhood. I had just screened my film COVID Dystopia in Chicago and fell in love with the old brownstone neighborhoods. The trouble was that Cabrini-Green looks nothing like this. The housing complex is more like the rows of housing developments that went up in the big cities after World War II. They are not very picturesque. The idea of replacing the brownstones with a suburban home made the most sense, yet most suburban homes are rather bland. Maybe I could just paint a dining room, but again I wanted something that was not so ordinary.

Snow fills the night sky. I then put in a circular yellow arch behind the buildings. This was meant to reference a snow globe and it helped silhouette the upper spires against the night sky. It was just a way to add a spark of more color. The buildings would have to go and that circular arch would morph into a much larger feature in the next pass at the poster.

Welcome to Matteson ran at the Orlando Shakes through March 29, 2025.

Henry VI Part 2: She Wolf of France Final

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The final version of the poster for the Orlando Shakespeare Theater production of Henry VI Part 2: She Wolf of France just involved me repainting the face since I now knew that Roberta Emerson would be playing the part of Queen Margaret. Emerson was credited with an “ice cold” performance and was honored by the Orlando Sentinel for her role for her ruthless demeanor and moments of vulnerability.  It was a rare role where the female lead could demand and gain absolute power.

Queen Margaret was a foreign bride, newly married to Henry VI. Unlike her husband, who was a weak ruler, Margaret was proactive and ruthless, commanding armies and seeking to secure the crown for her son. She was powerful in her own right, defying gender norms to engage directly in political intrigue and warfare. She became a Machiavellian political force, serving as a catalyst for chaos.

She despised her  weak husband and dominated court politics, engineered the downfall of Duke Humphrey of Gloucester, and began to dominate the House of Lancaster, setting the stage for the Wars of the Roses.

This was a rare case where I found out during the painting of the poster who the actress would be for the play many months in the future. There was fabulous reference because she had performed in many other Shakespeare productions.

Henry VI Part 2: She Wolf of France, Second Pass

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In the second pass at the Orlando Shakespeare Theater poster for Henry VI Part 2: She Wolf of France, I removed the mail hood that made her had look cylindrical. If I wanted to make it clear this warrior was a woman, I needed to let her hair flow. The armor was changed to me nor angular and chiseled in look. Putting a sharp edge across the chest made it clear that a woman’s anatomy would fit and it also added a hint of pride.

I wanted to go in and start cleaning up and adding detail to the face and hair, but I had all the other poster changes to make as well. Sometimes I have a second sense about leaving well enough alone. In this approval meeting I learned that the lead actress who would be playing the part of Queen Margaret would be Roberta Emerson, who looked nothing like the woman I was depicting. Luckily she had performed in other Shakespeare productions and I was given some reference photos which were rather good. There was even one where she was shouting in the way I was depicting in this version of the poster.

Everything else was working. I had changed all aspects of the armor making it much shinier. I was glad I didn’t get caught up in the details of the face and hair. All that Information was on one layer in my digital painting program and I could just turn it off without affecting any other aspect of the painting. If I was working traditionally, I would have to start the whole painting over again.

In these versions of the poster I am showing I just flip on new layers and flip off old layers that needed changing. If a choice is made to go back to an older version, I always have that choice. I often borrow elements from rejected layers and incorporate them into the upper layer that is working better. This allows me to keep the painting constantly evolving and the best always rises to the surface.

I just needed to go back to the drawing board and put in Robeta Emerson as the Queen Margaret. I had abandoned the crown but started to feet that it was needed again.

Orlando Shakes performed “Bare Bard: Henry VI Part 2 – She Wolf of France” from January 8-19, 2025, at the Lowndes Shakespeare Center in Orlando. This “Bare Bard” production featured the, original-practices used in Shakespeare’s day with limited rehearsals and no director. Each actor would walk through the costume shop in turn and pick out their costume for the show.

 

Henry VI Part 2: She Wolf of France

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The first pass at the Orlando Shakespeare Theater poster for Henry VI Part 2: She Wolf of France by William Shakespeare focused on a female soldier and a white wolf howling in the woods. This was once again a play about the War of the Roses, so I included a white and red rose. I love painting roses, they are elegant and beautiful. Having worked on Mulan I have followed a story of a woman stepping onto the battlefield in a patriarchal society. She would have to be more of a warrior than any of the men.

I didn’t have to think about the Henry VI title treatment since I could lift it from the previous poster for consistency. It works. The expression was working but the pose itself felt static. I wanted something more chiseled and heroic. The crown fitting over the chain mail hood is something I found while researching. I imagine they must have designed a specific crown for that purpose. Visually when drawn it isn’t quite believable. I think it will need to fit more snug to the skull to work. To show the warrior was female I needed some long hair visible. I had it blow out form under the chain mail hood and into her face. This wasn’t an appealing or attractive choice but it hinted at the disheveled chaos of battle.

I started looking at heroic statues of warriors to figure out what else was needed to make the figure bolder. Straight lines would read better than the soft curves I was using in this rough sketch. I went back to the drawing board and I am pretty sure I submitted two passes of the idea at the first approval meeting. It is always good to have multiple versions of an idea or better yet multiple concepts to explore. I was following one path, but I was sure it needed improvement. That is what is so good about showing work in progress, people always have suggestions that send me down a new path and that is always exciting.

Henry VI Part 2: The She Wolf of France by William Shakespeare ran from January 8-19, 2025.

Becoming Othello: Final Poster

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The final version of the Orlando Shakespeare Theater poster for Becoming Othello focused on the actress, Debra Ann Byrd playing the male lead in the Shakespeare play. The poster became all about the bright white tunic against the dark background. I added gothic architecture in the background. Since the play is about the “Black Girl’s Journey”, I felt the need to show the actress as a woman, so an inset was added.

I went with a bolder title treatment which plays off the white tunic. What I like best about the image is how the shadows of the sword and dagger flow over the fabric and stone.

I am finding that the printing done for the posters tends to make the image darker than what I painted. When I paint the images I am looking at a screen which glows. Any printed image will not have that backlight. In the future I need to consider this and paint the image brighter overall. The sword has light blood red against the dark background and then it turns dark against the light tunic. The dagger does the same.

I usually make a creative choice that the character is either light against the dark background or dark against a light background. I made a different creative choice that the tunic would pop as the bright white and everything else would recede int0 the dark.

Becoming Othello ran at the Orlando Shakes from March 13 – 30, 2024.

Venus in Fur: Final Poster

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The final version of the Venus in Fur poster required a simple red glaze covering the whole image. This solution made the hair color indistinguishable and the flesh color could be anything in the deep red glow. Red also brings up thoughts of the red light district which I have never been to but have heard about.

The mail lead in Venus in Fur is Thomas, who is directing a play based on an 1870 novella Venus In Furs by Leopold von Sacher-Masoch about a man longing to be dominated and humiliated by the right woman. Masoch’s last name gave birth to the phrase masochism.

Thomas had spent the whole day auditioning ordinary actresses who just were not right for the part. He was about to go home in defeat when a woman bursts into the room out of the pouring rain.

She had a horrible time getting to the audition with some random man rubbing up against her in the subway and her high heals got caught in a grate. She was visibly annoyed but managed to change gears to apologize for being late and convince Thomas to stay for this audition because she knew she was perfect for the part.

Vanda quickly gets out of her disheveled wet garb into costume. The male actor who had been reading lines opposite the actresses auditioning that day had already left, so Thomas stood in and read that part which he knew by heart since he had written it.

What follows is an unexpected power play as the actress not only knew every line but she knew the directors fiancé from working out in the gym. She seduced the director who became visibly excited, but she then dominated every scene and him as well. Vanda first massaged his male ego and then stomped on it and Thomas yearned to be dominated. I was left wondering if the actress had gone off script as they played their roles all too realistically.

There were dozens of performances on YouTube by actresses performing Vanda monologues. It is no wonder actresses are attracted to this play where the woman is empowered, and takes control of every scene. I wonder how many men are on YouTube reading monologues from Thomas as he whimpers and yearns to be punished.

Venus in Fur ran at the Orlando Shakespeare Theater through March 3, 2024. The Orlando Shakespeare production starred Walter Kmiec and Tracie Lane. I was relieved to see that Tracie actually looked very much like the fair skinned actress whose chest and lips I had cast for the poster. Her hair was shorter and less curly, but you could not see those details in the red-light version of the poster.

Apartment Hunt: Lake Formosa

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I have been moving from AirBnB to AirBnB in downtown Orlando to get a feel for where I might set up my art studio again. I have been living out of my backpack ever since returning from Europe. I loved Thornton Park. I stayed in two places in Thornton Park, and my favorite was above a barber shop a few blocks from Lake Eola and right across the street from the Falcon Bar.  From the studio window I could look over Lake Eola toward the skyline in the west to see gorgeous sunsets.

Last week I stayed in Azalea Park. I thought Azalea Park was the neighborhood around Dickson Azalea Park which is lovely. I was wrong, Azalea Park is directly under flight path of planes landing at the Orlando Executive airport and the noise is overwhelming. Since that nightmare, I made a map that includes the noise levels from planes.

Today I moved to Livingston Street for several weeks. The place has a back yard with a fire pit and is just a several block walk to Lake Eola. It is so peaceful and quiet here. I am waiting for the shoe to drop, something unsettling is about to transpire. There are some flights that can be hears but they seem to be little prop planes. Honestly if this place had a long-term rental option or was for sale I would consider this a perfect studio location. Unfortunately, it is just an expensive AirBnB and I will need to move out at the end of May.

While sketching today, a woman mentioned that she had a place available in the house right next to the Maitland Art Center. She explained that the place was very small. She didn’t mention square footage. I wonder how small it is? I declined, but now I am thinking I should have at least looked at the place. The location would have been amazing.

Every day I wake up and wonder where I should call home. Should I stay in Orlando where I am familiar with the arts scene, or should I explore some new place? With no roots, I could go anywhere.

The sketch is from a duplex on Lake Formosa that I visited yesterday. It is just 700 square feet with a bedroom and living room which would be my studio. The view out of the sliding glass doors looks out over Lake Formosa. The car port is a plus. I drew a floor plan to see if my studio flat files and Disney desk could fit. It is tight but I can fit in the space. The duplex neighbor has a fiberglass Lizard in the front lawn which I rather like.

Whenever I am serious about a property I tend to sketch after viewing the interior. I find sketching helps me think and consider what it might be like to live in the place. People walked by with their dogs and quite a few bicyclists buzzed past. Several medical helicopters flew over the lake and the train tracks that run along the west bank of the lake are loud. I am trying to decide if the train horn blasts are endearing or annoying.

The location is amazing. A bike path begins right at the end of the street and I could walk to the Fringe, Shakes, OMA and the Mennello. I have been walking up and down Mills Avenue this week and all those restaurant choices and music venues would be walking distance from this spot.

Part of me wants to find a place right in downtown Orlando, but I don’t think those cramped high-rise apartments are for me. I was also walking through Eola Heights each evening and found quite a few homes for sale. I looked online and discovered that every one of them was well over a million dollars (WTF?!)  So, I shifted my gaze to rentals further north. That brought me to Lake Formosa.

I agonized for several days about this property and finally filled out an application form.  My application was denied because someone else snatched up the rental while I was debating. Back to square one.

Becoming Othello: First Pass

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The first pass at creating a poster for Becoming Othello for the Orlando Shakespeare Theater involved a simple split screen portrait. On the left the actress smiles in a warm inviting portrait and on the right she is depicted in a severe cold portrait as the murderous Othello. Debra Ann Byrd is a female actress who embraces playing the male lead in Shakespeare’s Othello. This play is about that journey. Debra wrote and performed this solo show.

Othello is a noble Moorish general whose life is destroyed by his ensign, Lago, who manipulates him into believing his wife, Desdemona, is unfaithful. Consumed by jealous rage, Othello murders Desdemona, only to learn of Iago’s deception. Consumed with grief Othello then commits suicide.

With such a dark story line, my portrait poster lacked any discernible action. I liked the classy serif typeface I had picked for the title but that might miss the mark as well for such a bold dark story line. This poser image left me feeling uneasy. I think it has to do with her smile on one side and serious neutral expression on the other. Perhaps a neutral expression across the board would have worked better but now is not the time for second guessing since this concept was not approved. The challenge was in making the two sides of the portrait the same yet dissimilar. It was a fine line to walk.

Since a verb would be needed, my mind turned to the moment of murderous rage in the play. That moment would end two lives in a pointless tragedy. If that moment could be captured then that would catch a viewer’s attention.