Monday, July 23, 2012
The Art & History Museums of Maitland presented an exciting new initiative to assist in the professional development of local artists. A new series, titled Artists’ Critique & Conversation, will be held on the 4th Tuesday of every month at 6:00 p.m. The critiques will be held in the Germaine Marvel Building, (210 W. Packwood Avenue, Maitland). The Critique is FREE and the public is encouraged to attend. A bar was available with beer, wine, water and soft drinks.
The critiques will be led by artist, arts writer, and instructor Josh Garrick, along with two additional panelists each month. Parker Sketch offered his insights at the first event. After the panel review, all attendees displayed their work and engaged in discussions and peer reviews. Artists of every medium and skill level are encouraged to participate. Each critique will review up to 9 artists, and all artists MUST sign up in advance. Each artist can only sign up for one of the nine slots every three months.
Garrick, who has spent his career in the arts, discusses the judging and critique of art, “From my years as a teacher at New York City’s School of Visual Arts, it has always been important to me – when ‘judging’ art – to create an environment in which my students and colleagues may expand their abilities, and not to insist on a style, or change an individual’s personal voice,” he says. “Rather, the most important consideration for me, as an aesthetic judge, is to seek out those persons whose work exhibits a unique and personal form of creativity. “Other important considerations include: composition, use of color, technical ability, control of the medium, and use of light and shading. While judgments of aesthetic value may be linked to emotions or cultural conditioning, I’ve found that I have the ability to put those aside and find – when judging – that my initial response to a work is my finest barometer. “Having ‘judged’ well over 1000 student portfolios and Art Festivals throughout the Eastern US, I put aside my personal ‘interpretations,’ and allow the work to ‘sweep over me,’ as I was taught by Silas Rhodes, founder of the School of Visual Arts. Meanings and symbols mean little to me in the judging process. My senses, emotions, and training – or some combination of these – mean much more. “When I participate as a juror, I ‘see’ from an artist’s point-of-view, and from a teacher’s point-of-view, and as a person willing to be public with an honest opinion. Jurors must be willing to voice their opinion … and stand by it, with everyone understanding that it is one man’s opinion – no more and no less. When my considered opinion of a student’s work was negative, I would tell that person, ‘It is one man’s opinion. It is an educated opinion, but it is one opinion.’ If there is a constructive lesson to be learned, that point is worth remembering. “Finally,” Garrick concludes, “it is up to each Artist to maintain his or her own choices and opinions. This is YOUR work, and the most important judgment is how YOU judge your work.”
The next Artist's Critique is Tuesday July 24th starting at 6PM in the Maitland Art Center's Germaine Marvel Building, 210 W. Packwood Avenue, Maitland.