Shut Up & Play Sketch Marathon

Music was being performed constantly for 12 hours at 11/12 Lounge. Artist, Dawn Schreiner had to move her easel and art supplies off stage two as all the musical equipment was changed out. The next band brought in another drum set so there was plenty of activity on the stage. I was still adding watercolor washes to a sketch as all the sound equipment was being carted away. Lynn Halter Birdsall told me to inform Dawn that she could set up on the stage across the room since the other artist was done with his painting. When I sketched the Forefathers, she was at her new post. With all the activity, I abandoned inking in my drawings and just scribbled away with my pencil. I started to love the freedom the blunt pencil offered.

The Forefathers performed in the red glow of stage one. Their music had a mystic lyricism. Jupiter Groove on stage two was the last act that I sketched. Their driving riffs had elements of Progressive Fusion and Jazz. The seemingly improvisational performance influenced every line I drew. I kept beat with the flow of every line. I had arranged to get Terry into the concert. She finally texted me saying she was on her way. After my sketch was done I contemplated getting a beer and relaxing a bit. But Jeremy Birdsall was on stage playing keyboard and guitar at the same time. He was jamming with two other musicians he had just met. They improvised with absolute joy and abandon. I stood at a table and swayed to the beat. People at the bar were clapping and shouting encouragement. The place was buzzing and vibrant. I just soaked it in.

When Terry arrived she wanted to immediately go out to get a bite to eat. I left on my wrist band figuring I could return to the festival which continued until 2am. After dinner at Dexter’s we went to Karen Russell’s opening at Mother Falcon. Quite a few of her pieces were sold. Terry talked to Karen about possibly getting a tattoo. We went home. It was a good day.