Monday, May 30, 2011


I was delighted when Hannah Kugelmann the author of "Oral" contacted me. She first thought of the concept for this play while she was attending UCF. The show was first introduced to Fringe audiences in 2006 where it won "Best Fringe Newbie." The play began with Lindsay Cohen taking a thick piece of chalk and writing fellatio on the blackboard. Turning toward the audience she described the derivation of the word and then described the process of giving head in delightful detail. She stroked the thick stick of chalk absentmindedly as she spoke. I maneuvered the sketchbook onto my lap. She described a two fisted process of alternating hand movements that I am certain I have never experienced.

Each member of the cast would come out and write their own word of choice on the blackboard to begin their thoughts about oral sex. Though some scenes were a bit clinical, the open dialogue began to unravel the underlying importance of intimacy in relationships. A man came out and began a long argument about how he felt accepted when a woman swallowed. He punctuated his discussion with a sad face spitting and a happy face licking it's lips for swallowing. The misunderstandings and confusion that men and women have on the subject showed how difficult it can be to satisfy a partner if the subject isn't discussed. Brian Feldman walked across the stage at an arbitrary moment and several audience members clapped.

In the one scene where oral sex is simulated under the cover of sheets, the woman came up for air when she was done, and became annoyed when her partner praised her for her technique. The argument escalated until the man finally offered some advice. She was suddenly complacent and they cuddled in bed. He then started offering another suggestion, but she stopped him saying, "Don't push your luck." Who knew that an hour spent talking about oral sex could be so funny, educational and uncover so much about our underlying emotional needs. This was a delightful production that left me thinking... Why is it I have never ... , no I don't think I'll go there. But I might have intimacy issues.

Prints are available for each sketch for $250 and many originals can be purchased for $400. White museum grade shadow box frames are $100 more. You can e-mail Thor at

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