The romantic and playful evening of iMove_2.0: iCandy has come and gone, so now I must simply report on what you missed. The multiple dance routines took place in a large open warehouse. My wife, Terry, and I were the first to enter. Brian Feldman was on hand to offer any crowd control that might be needed. There was no assigned seating. As a matter of fact there was just one couch, so for the duration of the evening people milled about gathering in different areas of the warehouse to watch the various dances. I said hello to Zac Alfson who was busy seeing if he could get his tweets up on the big screen. I think he also was taking photos with his phone all night.
What I loved about the show is that art truly imitated life in this open and vibrant setting. The dancers between dances, would mill about the room checking their iPhones or chatting playfully on old telephones with cords! It was fascinating because many of the audience members were themselves tweeting or checking Facebook status updates. They bowed reverently to the glowing information presented on palm sized screens. Terry can be seen checking her iPhone to the right. A screen on the far wall scrolled tweets and movies were projected on large seamless walls. A kissing booth was set up but it offered no actual privacy so I think it went unused. The Twitter bird icon was animated, flying about the room on the walls. Love letters and long streamers with love notes and hearts were everywhere. I picked up a strawberry flavored heart lollipop and put it in my pocket for later.
I sat on my portable stool next to Genevieve Bernard, the choreographer, and I heard her say "Nice choice" when a dancer had to adjust her movement to avoid running into the crowd. Genevieve said she was nervous right before the event because she was concerned people might not understand this open playful way of presenting a performance. Once she saw everyone was mingling and sipping wine, she relaxed and enjoyed the show. She even went out of her way and got me a red wine while I sketched. I spilled a little on the sketch in the upper left hand corner but I don't think it hurt anything.
Doug Rhodehamel, an amazing local artist, stopped over and said hello. I have been trying to arrange to sketch him hard at work on his Spore Project. He explained that there might be a mushroom making party next week sometime, which would offer the perfect sketching opportunity.
My favorite dance routine of the evening involved three dancers who began the dance seated in three chairs. Two of the dancers, Leah Marke and Amanda Oost Bradberry, were constantly drawn to each other in romantic embraces circling and becoming closer, while the third dancer, McClaine Timmerman, would try and get close to the couple while never fully becoming part of the couples dance. In the end she remained alone, her staccato movements reaching towards the heavens as if imploring, yet never answered.